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Published by Film at Lincoln Center

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Short Take: Slack Bay

By Adam Nayman
March 3, 2017
(Bruno Dumont, France, Kino Lorber, Opens April 21)

Short Take: Glory

By Yonca Talu
March 3, 2017
(Kristina Grozeva and Petar Valchanov, Bulgaria/Greece, Film Movement, Opens April 12)

Short Take: Norman: The 
Moderate Rise and Tragic Fall of a New York Fixer

By Steven Mears
March 3, 2017
(Joseph Cedar, USA/Israel, Sony 
Pictures Classics, Opens April 14)

Short Take: Paraguay 
Remembered

By Genevieve Yue
March 3, 2017
(Dominique Dubosc, France, Anthology Film Archives, Opened February 24)

Review: Contemporary Color

By Violet Lucca
March 3, 2017
(Bill and Turner Ross, USA, Oscilloscope, Opens March 1)

Review: The Assignment

By Nathan Lee
March 3, 2017
(Walter Hill, USA, Saban Films, Opens April 7)

Review: Free Fire

By Nick Pinkerton
March 3, 2017
(Ben Wheatley, UK, A24, Opens April 21)

Review: Frantz

By Nick Davis
March 3, 2017
(François Ozon, France, Music Box Films, Opens March 15)

Review: Heal the Living

By Kristin M. Jones
March 3, 2017
(Katell Quillévéré, France, Cohen Media Group, Opens April 14)

Make It Real: See Through Me

By Eric Hynes
March 3, 2017
A new crop of documentaries use the “first-person” approach to move beyond the self