ENGELCHEN By Chris Chang She’s the One
IN THE AUDIENCE By Dale Thomajan Exploring the Road Less Travelled at the Beachmont
WILD RIVER By Donald Chase Watershed: Elia Kazan’s Wild River
JEAN-PIERRE MELVILLE By Peter Hogue Melville: The Elective Affinities
YOUSSEF CHAINE By Dave Kehr The Waters of Alexandria
PORTRAIT OF A LADY By Kathleen Murphy Jane Campion’s Shining: Portrait of a Director
JULES DASSIN Interviewed by Patrick McGilligan "I’ll Always be an American"
FILM FESTIVALS
VENICE By Harlan Kennedy
TORONTO By Kathleen Murphey
NEW YORK By Phillip Lopate, Robert Horton, Donald Lyons, and Paul Arthur
CORNEL WILDE By Michael Atkinson Naked Prey: The Cinema of Cornel Wilde
JAMES BENNING By Bérénice Raynaud The Filmmaker as Haunted Landscape
THE KILLERS By Howard Hampton Return of the Body Snatchers
LETTERS
Purchase this issue
November/December 1996
ENGELCHEN
By Chris Chang
She’s the One
IN THE AUDIENCE
By Dale Thomajan
Exploring the Road Less Travelled at the Beachmont
WILD RIVER
By Donald Chase
Watershed: Elia Kazan’s Wild River
JEAN-PIERRE MELVILLE
By Peter Hogue
Melville: The Elective Affinities
YOUSSEF CHAINE
By Dave Kehr
The Waters of Alexandria
PORTRAIT OF A LADY
By Kathleen Murphy
Jane Campion’s Shining: Portrait of a Director
JULES DASSIN
Interviewed by Patrick McGilligan
"I’ll Always be an American"
FILM FESTIVALS
VENICE
By Harlan Kennedy
TORONTO
By Kathleen Murphey
NEW YORK
By Phillip Lopate, Robert Horton, Donald Lyons, and Paul Arthur
CORNEL WILDE
By Michael Atkinson
Naked Prey: The Cinema of Cornel Wilde
JAMES BENNING
By Bérénice Raynaud
The Filmmaker as Haunted Landscape
THE KILLERS
By Howard Hampton
Return of the Body Snatchers
LETTERS
Purchase this issue