Read issue Subscribe to access more than 300 print issues of Film Comment in our comprehensively indexed, searchable archive. Summer 1963 Read online Apropos de Cannes by Nelly Kaplan Apropos de Cannes Interview Interview with James Blue (The Olive Trees of Justice) by Mary Batten Interview with Frank Perry (David and Lisa) by William Bayer Feature The Business of Making Art Films The decline of the manufactured film, factors in the odds against independents by George Schiffer 42nd Street by Clara Hoover and Bill Troy On Approaching the Film as Art Films that “convey a sense of the universal, opening out beyond the form of the particular to achieve the resonance of metaphor” by Alan Casty New York Film In and Out How to keep fashionable in the arthouse lobbies by Herman & Gretchen Weinberg Student Film Workshop A description of the Documentary Film Workshop at the Annenberg School of Communications, University of Pennsylvania by Sol Worth Place of Cinema in N.Y. Public Library by George Freedley Festival Coverage Midwest Film Festival by Gordon Hitchens San Sebastian Film Festival by Edith Laurie Ottawa Film Festival by Edith Laurie Ann Arbor Film Festival by George Manupelli Film Review 8½ by Mary Batten My Name Is Ivan by Peter Goode Column Issues Overlooked Roman Catholic positions on censorship by Morris Ernst
Read issue Subscribe to access more than 300 print issues of Film Comment in our comprehensively indexed, searchable archive. Summer 1963
Read issue Subscribe to access more than 300 print issues of Film Comment in our comprehensively indexed, searchable archive.
The Business of Making Art Films The decline of the manufactured film, factors in the odds against independents by George Schiffer
On Approaching the Film as Art Films that “convey a sense of the universal, opening out beyond the form of the particular to achieve the resonance of metaphor” by Alan Casty
New York Film In and Out How to keep fashionable in the arthouse lobbies by Herman & Gretchen Weinberg
Student Film Workshop A description of the Documentary Film Workshop at the Annenberg School of Communications, University of Pennsylvania by Sol Worth
