Taken for a ride: Jenkins’ moving image work artist incisively analyzes how images—in film, TV, advertising, and the media landscape—set limits on the possible. by Yasmina Price
Woman’s work: the remarkable work of the Japanese actress-turned-auteur gets its due with a retrospective at Film at Lincoln Center by Imogen Sara Smith
Run it back: a renewed interest in reenactment in documentary foregrounds two historically sidelined aspects of nonfiction cinema: performance and authorship by Girish Shambu
Tangled web: with The Girl and the Spider, the Zürcher brothers craft a formalist fable of Surrealist uncanny and combustible yearning by Devika Girish
Disappearing act: This year’s recipient of the Chaplin Award is an actress whose nearly superhuman versatility is matched by the consistency of her craft by Amy Herzog
Against interpretation: with its maze-like narrative and nightmare-inducing imagery, David Lynch’s epic Inland Empire is so much more than a puzzle to be solved by Adam Nayman
Real talk: critics Leo Goldsmith and Chris Boeckmann join to discuss highlights from the nonfiction festival, including a spotlight on the work of Alice Diop
Front lines: the directors of the 1979 documentary on the Industrial Workers of the World discuss the film’s new restoration and its continuing relevance
Body and soul: the prolific French actress joins the podcast to discuss her starring turns in excellent new films by Mia Hansen-Løve and David Cronenberg
My favorite things: Real-life jazzman Dexter Gordon’s spellbinding performance is at the heart of Tavernier’s Paris-set and music-rich drama by José Teodoro
Mirror mirror: though questionable marketing decisions and technical snafus abound, the early days of Cannes 2022 have nonetheless delivered on the promise of genuine cinematic thrills by Manuel Yáñez Murillo
Flying high: the last few days of Cannes contained many of this year’s high points, including Kelly Reichardt’s Showing Up, Albert Serra’s Pacifiction, and David Cronenberg’s Crimes of the Futureby Devika Girish
Not dark yet: our man in Cannes weighs in on the fest at the midpoint, highlighting Park Chan-wook’s Decision to Leave, Jerzy Skolimowski’s EO, Cristian Mungui’s R.M.N., and more by Jonathan Romney
Group chat: Jonathan Romney and Jessica Kiang join to run down their most anticipated films at Cannes, including David Cronenberg’s Crimes of the Future, Claire Denis’s The Stars at Noon, and more
Listen up: critics Jordan Cronk and Jessica Kiang dig into Kirill Serebrennikov’s Tchaikovsky's Wife, Pietro Marcello’s Scarlet, and other highlights from the first three days of Cannes 2022
Jackass forever: Inney Prakash and Vadim Rizov join to discuss highlights (and lowlights) from the 2022 edition of the festival, including Jerzy Skolimowski’s EO and Arnaud Desplechin’s Brother and Sister
Screentime: Eugene Hernandez and Arianna Bocco, President of IFC Films, discuss Cannes’ changing role in the film industry, how Cristian Mungiu changed Arianna’s career, and more
