Read issue Subscribe to access more than 300 print issues of Film Comment in our comprehensively indexed, searchable archive. Spring 1970 Interview Arthur Barron: The Self-Discovery of a Documentary Filmmaker by Bernard Rosenberg and F. William Howton The Intensification of Reality: Arthur Barron Arthur Barron Discusses His Film Trilogy—THE GREAT AMERICAN NOVELS by Arthur Barron Feature Network Television and the Personal Documentary Arthur Barron speaks out against the confines of network-television filmmaking by Arthur Barron Arthur Barron Filmography by Film Comment Enslaved by the Queen of the Night: The Relationship of Ingmar Bergman to E.T.A. Hoffmann by Robert Rosen Young German Film by Der Spiegel, Joachim Neugroschel Boris Karloff—The Man Behind the Myth by Lillian Gerard “A breathless eagerness in the audience…” Historical notes on Dr. Frankenstein and his monster by Gordon Hitchens Producer/Director Cornel Wilde by John Cohen Ernst Lubitsch, A Parallel to George Feydeau by Herman G. Weinberg Book Review The Picture Palace and Other Buildings for the Movies by Eugene Ferraro L’Ecran Démoniaque by Kirk Bond F.W. Murnau by Kirk Bond Dames / The Heavies / Fritz Lang in America / Ingmar Bergman / Antonioni by Donald Staples A New Pictorial History of the Talkies / The Emergence of Film Art by Herman G. Weinberg The Image Candidates- American Politics in The Age of Television The Technique of Editing 16 Mm Films Screen World 1968 and Screen World 1969 Book Reviews by Film Comment Sight, Sound, and Society- Motion Pictures and Television in America The Technique of Television Production Television New- Writing, Editing, Filming, Broadcasting The New Media: Memo to Educational Planners The Marx Brothers at The Movies A Guide for Film Teachers to Filmaking by Teenagers Miracle in Milan The Cinema of Alain Resnais Buster Keaton Suspense in The Cinema British Cinema- An Illustrated Guide Two Screenplays- The Blood of a Poet, the Testament of Orpheus / Shakespeare on Silent Film- a Strange Eventful History / The Film Experience, Elements of Motion Picture Art The Film / Fellini / The Studio
Read issue Subscribe to access more than 300 print issues of Film Comment in our comprehensively indexed, searchable archive. Spring 1970
Read issue Subscribe to access more than 300 print issues of Film Comment in our comprehensively indexed, searchable archive.
Arthur Barron: The Self-Discovery of a Documentary Filmmaker by Bernard Rosenberg and F. William Howton
The Intensification of Reality: Arthur Barron Arthur Barron Discusses His Film Trilogy—THE GREAT AMERICAN NOVELS by Arthur Barron
Network Television and the Personal Documentary Arthur Barron speaks out against the confines of network-television filmmaking by Arthur Barron
Enslaved by the Queen of the Night: The Relationship of Ingmar Bergman to E.T.A. Hoffmann by Robert Rosen
“A breathless eagerness in the audience…” Historical notes on Dr. Frankenstein and his monster by Gordon Hitchens
Two Screenplays- The Blood of a Poet, the Testament of Orpheus / Shakespeare on Silent Film- a Strange Eventful History / The Film Experience, Elements of Motion Picture Art
