Read issue Subscribe to access more than 300 print issues of Film Comment in our comprehensively indexed, searchable archive. September-October 1978 Read online Néstor Almendros The cinematographer discusses his work on Terrence Malick’s Days of Heaven by Brooks Riley Interview: Néstor Almendros Melodrama and the New Woman For the New Woman, a new melodrama: Coming Home instead of Written on the Wind. David Ehrenstein examines this hip, old-fashioned genre. by David Ehrenstein Melodrama and the New Woman Guilty Pleasures The film lover’s list of undersung favorites by Martin Scorsese Guilty Pleasures Column Journals: Cannes by Mary Corliss Journals: L.A. by Stuart Byron Journals: Paris by David Overbey Journals: Tokyo by Alan Poul Industry by Lee Beaupre Independents by Amos Vogel Back Talk by Stuart Byron Feature Robert Altman Goes to A Wedding by Jonathan Rosenbaum The Private Films of Larry Cohen: Gods and Monsters by Robin Wood Days of Heaven: The Last Ray of Light by Terry Curtis Fox The Miracle of the Wolves: Homo Homini Lupus by Elliott Stein Interview Robert Altman by Charles Michener Eric Rohmer’s Perceval by Nadja Tesich-Savage Midsection The Second Coming of Sound by Charles Schreger Sound Thinking by Jonathan Rosenbaum The Sound Of One Wing Flapping The sound effect of Hitchcock's career by Elisabeth Weis Department Bulletin Board by Film Comment
Read issue Subscribe to access more than 300 print issues of Film Comment in our comprehensively indexed, searchable archive. September-October 1978
Read issue Subscribe to access more than 300 print issues of Film Comment in our comprehensively indexed, searchable archive.
Néstor Almendros The cinematographer discusses his work on Terrence Malick’s Days of Heaven by Brooks Riley Interview: Néstor Almendros
Néstor Almendros The cinematographer discusses his work on Terrence Malick’s Days of Heaven by Brooks Riley
Melodrama and the New Woman For the New Woman, a new melodrama: Coming Home instead of Written on the Wind. David Ehrenstein examines this hip, old-fashioned genre. by David Ehrenstein Melodrama and the New Woman
Melodrama and the New Woman For the New Woman, a new melodrama: Coming Home instead of Written on the Wind. David Ehrenstein examines this hip, old-fashioned genre. by David Ehrenstein
