Film Comment

Column

Hot Property: Donoma by Nicolas Rapold

10,000 Ways to Die: The Zero Hour by Alex Cox

Site Specifics: Gravity Hill NEWSREELS Free Assembly by Jesse P. Finnegan

Guilty Pleasures by David Wain

Encore: Eight Deadly Shots by Film Comment

Further Research: John Reinhardt by Dave Kehr

Sound: The Phantom Carriage by Andy Battaglia

Vision: Jeff Keen by Chris Chang

A Face in the Crowd: Ed Lauter The Devil in the Details by Chuck Stephens

Feature

Louisiana Story: Beasts of the Southern Wild by Scott Foundas

AIDS Documentaries by David Ehrenstein

Discomfort Zone The Films of Bobcat Goldthwait by Laura Kern

Spaghetti Westerns by J. Hoberman

Divine Rapture: The Films of Werner Schroeter by Ulrike Sieglohr

Five Schroeter Must-Sees by Chuck Stephens

HBO Films by Michael Sragow

Interview

Whit Stillman by Haden Guest

Festival Coverage

Berlin Film Festival: Back from the Brink Back from the Brink by Olaf Möller

South by Southwest Film Festival: The Undecided The Undecided Bet by Mark Asch

Director Interview

Steven Soderbergh by Amy Taubin

Kirby Dick and Amy Ziering by Violet Lucca

Ethan Hawke by Emma Myers

Jackie Goss on The Observers by Violet Lucca

Joachim Trier, director of Oslo, August 31st by Sophie Blum

Did I Forget to Mention the Fourth Dimension? by Violet Lucca

Film Review

Review: Ted by Violet Lucca

Review: Take This Waltz by Sarah Mankoff

Review: To Rome with Love by Emma Myers

Review: Americano by Sophie Blum

Review: Tahrir: Liberation Square by Graham Corrigan

Review: Your Sister’s Sister by Dan Sullivan

Review: Extraterrestrial by John Wildman

Review: Lola Versus by Sarah Mankoff

Review: Corpo Celeste by Meredith Slifkin

Review: Safety Not Guaranteed by Emma Myers

Review: Found Memories by Matthew Connolly

Review: Polisse by Sophie Blum

Review: Lovely Molly by Sophie Blum

Review: Elena by Jonathan Robbins

Essay

The Anatomy of Anguish: Rainer Werner Fassbinder (1945-1982) by Violet Lucca

How Movies Became Cinema: Andrew Sarris in Seattle Part I by Andrew Sarris

How Movies Became Cinema: Andrew Sarris in Seattle Part II by Andrew Sarris

Fade Out: Andrew Sarris by Film Comment

↔ (Part One) by B. Kite

↔ (Part Two) by Kent Jones

Shooting First: Talking Spaghetti Westerns at the Italian Cultural Institute by Jonathan Robbins

Director in Residence: The Films of Tony Buba at Anthology Film Archives by Justin Stewart

Synthesizing Cinema: Tangerine Dream at BAMcinématek by Margaret Barton-Fumo

Intervention: Werner Herzog at the Whitney by Violet Lucca

Festival Dispatch

New York Asian Film Festival by R. Emmet Sweeney

Cannes 2012 Diary: On Reygadas & Carax by Scott Foundas

Festivals: Migrating Forms by R. Emmet Sweeney

Cannes Report: Larry Gross on the Standouts by Larry Gross

Cannes Review: Michael Haneke’s Amour by Robert Koehler

Cannes Review: Matteo Garrone’s Reality by Robert Koehler

Cannes 2012 Diary: Histoires d’amour by Scott Foundas

Cannes Market Watch: Approved for Adoption by Robert Koehler

Cannes Market Watch: The Most Fun You Can Have Dying by Robert Koehler

Cannes Market Watch: Stoichkov by Robert Koehler

Cannes Market Watch: El Puesto by Robert Koehler

Cannes Roundtable II: On Carax, Resnais, Kiarostami, Lee Daniels, and more by Film Comment

Cannes Market Watch: Life Just Is by Robert Koehler

Cannes 2012 Diary: Invasion of the Body by Scott Foundas

Cannes Roundtable: Amy Taubin, Gavin Smith, Todd McCarthy, Scott Foundas by Film Comment

Cannes Market Watch: Bergman & Magnani: The War of the Volcanoes by Robert Koehler

Cannes Market Watch: A Monkey on My Shoulder by Robert Koehler

Cannes Market Watch: The Clan by Robert Koehler

Festivals: Amy Taubin on Tribeca by Amy Taubin

Koehler on Bafici: Antennae Up, with Unexpected Signals by Robert Koehler

Home and Back Again: The 19th New York African Film Festival (NYAFF) by Ina Diane Archer