Read issue Subscribe to access more than 300 print issues of Film Comment in our comprehensively indexed, searchable archive. July-August 2005 Read online 2046: Elusive Objects of Desire A stealth sequel to In the Mood for Love, the epic remix that is 2046 is the summation of the director's lyrical melancholia by Nathan Lee 2046: Elusive Objects of Desire Sound & Vision: Gus Van Sant’s Last Days Gus Van Sant's Last Days explores the sounds of silence—and suicide by Chris Chang Sound & Vision: Gus Van Sant’s Last Days Cannes Film Festival: Uneasy Riders While world cinema power blocs butted heads at Cannes, two Iranian gems got lost in the shuffle by Richard Peña Cannes Film Festival: Uneasy Riders Cannes Film Festival: Hotbeds and Hinterlands A fistful of discoveries, comebacks, and consolidations by Gavin Smith Cannes Film Festival: Hotbeds and Hinterlands Cannes Film Festival: Paterfamilias Cannes 2005 by Kent Jones Cannes Film Festival: Paterfamilias Department Editor’s Letter: At the Top of the World-Cinema Food Chain by Gavin Smith Opening Shots by Film Comment Critics’ Choice by Film Comment Closing Shots by photographers Irene Meltzer Richard, Dave Allocca, and David Godlis Column Distributor Wanted: Police Beat by Chris Chang Jolly Corner: The Strange Affair of Uncle Harry by Guy Maddin Guilty Pleasures: Happy Endings director by Don Roos Sound & Vision: Sue de Beer’s Black Sun by Carly Berwick Olaf’s World: Khavn de la Cruz by Olaf Möller Feature George A. Romero by Giulia D’Agnolo-Vallan 2046: Wong Kar-wai’s Vertigo by Amy Taubin Broken Flowers by Chris Norris Françoise Dorléac by Melissa Anderson Werner Herzog by Paul Arthur Happy Endings by Alissa Quart Festival Coverage Cannes Film Festival: Kings But No Queens by Amy Taubin Cannes Film Festival: Human Comedies by Phillip Lopate Cannes Critics’ Choice by Film Comment Cannes Film Festival: Natural Selection by Nathan Lee Tribeca Film Festival: Branded to Sell by Amy Taubin Screenings The Beat That My Heart Skipped by Robert Horton Or (My Treasure) by Uri Klein The 3 Rooms of Melancholia by Paul Arthur The Devil’s Rejects by Michael Koresky Readings The Stanley Kubrick Archives by Jonathan Romney In Brief by Jacob Levich, Saul Austerlitz, Chris Chang Home Movies Errol Morris Collection by Chuck Stephens Kind of Cinico by Gavin Smith Lynne Sachs: A Collection of Films Exploring Women by Brian Frye The Arthur Dong Collection by Paul Arthur Au Hasard Balthazar by Chris Chang Avant-Garde Experimental Cinema of the 1920s and ‘30s by Kent Jones
Read issue Subscribe to access more than 300 print issues of Film Comment in our comprehensively indexed, searchable archive. July-August 2005
Read issue Subscribe to access more than 300 print issues of Film Comment in our comprehensively indexed, searchable archive.
2046: Elusive Objects of Desire A stealth sequel to In the Mood for Love, the epic remix that is 2046 is the summation of the director's lyrical melancholia by Nathan Lee 2046: Elusive Objects of Desire
2046: Elusive Objects of Desire A stealth sequel to In the Mood for Love, the epic remix that is 2046 is the summation of the director's lyrical melancholia by Nathan Lee
Sound & Vision: Gus Van Sant’s Last Days Gus Van Sant's Last Days explores the sounds of silence—and suicide by Chris Chang Sound & Vision: Gus Van Sant’s Last Days
Sound & Vision: Gus Van Sant’s Last Days Gus Van Sant's Last Days explores the sounds of silence—and suicide by Chris Chang
Cannes Film Festival: Uneasy Riders While world cinema power blocs butted heads at Cannes, two Iranian gems got lost in the shuffle by Richard Peña Cannes Film Festival: Uneasy Riders
Cannes Film Festival: Uneasy Riders While world cinema power blocs butted heads at Cannes, two Iranian gems got lost in the shuffle by Richard Peña
Cannes Film Festival: Hotbeds and Hinterlands A fistful of discoveries, comebacks, and consolidations by Gavin Smith Cannes Film Festival: Hotbeds and Hinterlands
Cannes Film Festival: Hotbeds and Hinterlands A fistful of discoveries, comebacks, and consolidations by Gavin Smith
