Read issue Subscribe to access more than 300 print issues of Film Comment in our comprehensively indexed, searchable archive. July-August 2001 Read online Journals: Mexico City After the breakthrough of Amores Perros, what's next for Mexican Cinema? by Leonardo García Tsao Journals: Mexico City Department Letter from the Editor: The Old Wave by Gavin Smith Opening Shots by Film Comment Critics’ Choice by Film Comment Film Society Seen by Film Comment Column Guilty Pleasures by Baz Luhrmann First Look: Domestic Violence by Kent Jones Discovery: Athina Rachel Tsangari by Chris Chang Guilty Pleasures by Baz Luhrmann Distributor Wanted: Nightshift by Amy Taubin Industry: Decannestruction by Roger Smith Vidi Vidi Vidi by Gavin Smith, Nicole Armour and Guy Maddin Feature Primal Screen: A.I. Artificial Intelligence by Paul Arthur Bay Watch: Michael Bay by Kent Jones glass houses: Kon Ichikawa by Olaf Möller Porn Nation: Whatever You Desire by Howard Hampton american hunger: Eric Saks by Jonathan Rosenbaum The Comfort of Strangers: Sadie Benning by Nicole Armour François Ozon by Frédéric Bonnaud Shakespeare on Film by Richard Combs and Raymond Durgnat Festival Coverage Cannes Review: Old Masters by Manohla Dargis Cannes Review: Beggar’s Banquet by Mary Corliss Cannes Review: Minimalism to the Max by Richard Peña Cannes Review: Early Dismissal by Gavin Smith Cannes Critics’ Choice by Film Comment Film Review Bully by Chuck Stephens Waydowntown by Mark Peranson The Deep End by Paul Arthur Review: Hedwig and the Angry Inch by Wesley Morris Lara Croft: Tomb Raider by Peggy Ahwesh
Read issue Subscribe to access more than 300 print issues of Film Comment in our comprehensively indexed, searchable archive. July-August 2001
Read issue Subscribe to access more than 300 print issues of Film Comment in our comprehensively indexed, searchable archive.
Journals: Mexico City After the breakthrough of Amores Perros, what's next for Mexican Cinema? by Leonardo García Tsao Journals: Mexico City
Journals: Mexico City After the breakthrough of Amores Perros, what's next for Mexican Cinema? by Leonardo García Tsao
