Read issue Subscribe to access more than 300 print issues of Film Comment in our comprehensively indexed, searchable archive. July-August 1976 Read online Independents: A Reader’s Digest of the Avant-Garde Amos Vogel offers a history of the American avant-garde to counter its formal exhibition by Amos Vogel Independents: A Reader’s Digest of the Avant-Garde Column Journals: London & New York by Jonathan Rosenbaum Journals: Australia The festivals and failures of the Australian Film Institute by Jan Dawson The Industry: Ken Kesey’s Martyr Complex by Stuart Byron Television: CBS on PBS by Robert Sklar Feature Guest Column: Justice Is Blind—And Dirty-Minded by Brendan Gill Billy Wilder Closet Romanticist by Andrew Sarris Three Blue Birds: Tourneur, Temple, and Taylor by Tag Gallagher Pat O’Neill: California Dreamer of the New Cinema by Mitch Tuchman The Missouri Breaks Brando and Nicholson in the wild, wild west by Charles Michener Film Apres Noir: Alienation in a Dark Alley by Larry Gross Britannia Waives the Rules: The Angry Young Cinema Grows Out by Raymond Durgnat Book Marks Film history and where to find it by Richard T. Jameson Interview John Milius by Richard Thompson Arthur Penn What <u>Is</u> A Western? by Stuart Byron and Terry Curtis Fox Midsection Retrospective: Maurice Tourneur Rattles His Chains by Richard Koszarski Retrospective: King Vidor Rattles His Saber by Richard Koszarski Film Noir, Life Noir “Chesterfields, a pint of bourbon, a slap on the face, and a bullet in your buddy's back—or maybe yours.” by Peter Hankoff Book Review Books: Two Social Histories by Gerald Weales Department Back Page by Film Comment
Read issue Subscribe to access more than 300 print issues of Film Comment in our comprehensively indexed, searchable archive. July-August 1976
Read issue Subscribe to access more than 300 print issues of Film Comment in our comprehensively indexed, searchable archive.
Independents: A Reader’s Digest of the Avant-Garde Amos Vogel offers a history of the American avant-garde to counter its formal exhibition by Amos Vogel Independents: A Reader’s Digest of the Avant-Garde
Independents: A Reader’s Digest of the Avant-Garde Amos Vogel offers a history of the American avant-garde to counter its formal exhibition by Amos Vogel
Film Noir, Life Noir “Chesterfields, a pint of bourbon, a slap on the face, and a bullet in your buddy's back—or maybe yours.” by Peter Hankoff