Read issue Subscribe to access more than 300 print issues of Film Comment in our comprehensively indexed, searchable archive. July-August 1975 Read online Antonioni Speaks—And Listens by Renee Epstein Antonioni Speaks—And Listens Film Maudit Dossier: Memories of ‘Justice’ In defense of Marcel Ophuls's documentary The Memory of Justice by Film Comment Film Maudit Dossier: Memories of ‘Justice’ Feature Men and Landscapes: Antonioni’s The Passenger by Ted Perry Jerry Lewis’s Films: No Laughing Matter? by Jean-Pierre Coursodon The Silencing of Serge Paradjanov: A Certain Cowardice by Antonin J. Liehm Film Censorship in Yugoslavia by Dušan Makavejev Populism and Social Realism When is a genre not a genre? by Raymond Durgnat Guest Column: Promised Lands by James McCourt In Defense of Art An excerpt from Robin Wood's Personal Views: Explorations in Style by Robin Wood George Stevens: Three Wartime Comedies Stevens elevates the everyday through images both open and harmonious by Bruce Petri Column The Industry: Actors’ Salaries by Paul Sarlat Television: The Night At The End Of The Tunnel by Larry Lichty Independents: The Structuralist Incursion (1): The Setting by Amos Vogel Interview Alain Renais: “There Isn’t Enough Time” There isn't enough time by James Monaco Stavisky: Facts into Fiction Facts Into Fiction by Richard Seaver The Happy Booker: George Mansour, Jr. by Janet Maslin Department Back Page by Film Comment
Read issue Subscribe to access more than 300 print issues of Film Comment in our comprehensively indexed, searchable archive. July-August 1975
Read issue Subscribe to access more than 300 print issues of Film Comment in our comprehensively indexed, searchable archive.
Film Maudit Dossier: Memories of ‘Justice’ In defense of Marcel Ophuls's documentary The Memory of Justice by Film Comment Film Maudit Dossier: Memories of ‘Justice’
Film Maudit Dossier: Memories of ‘Justice’ In defense of Marcel Ophuls's documentary The Memory of Justice by Film Comment
George Stevens: Three Wartime Comedies Stevens elevates the everyday through images both open and harmonious by Bruce Petri
