Read issue Subscribe to access more than 300 print issues of Film Comment in our comprehensively indexed, searchable archive. January-February 1975 Read online Independents: Structures On recent organizations formed by independent filmmakers by Amos Vogel Independents: Structures Dream Masters I: Walt Disney The supreme heart-crusher contains multitudes: Hugh Hefner, Leni Riefenstahl, John and Henry Ford by Jonathan Rosenbaum Dream Masters I: Walt Disney Max and Dave Fleischer The inventor Max and the inventive Dave built a cartoon industry, with a little help from Ko-Ko, Betty Boop, Popeye, and the Bouncing Ball by Mark Langer Max and Dave Fleischer Column Journals: London by Jonathan Rosenbaum Journals: Istanbul by Gerald Weales Feature Warner Brothers Focus on a studio by Greg Ford Cartoonographies by Joe Adamson Duck Amuck On the trials and tribulations of Daffy Duck by Richard Thompson Winsor McCay Out of the Dark Age of film history came McCay the Renaissance Man, and his domesticated dinosaur Gertie by John Canemaker Sex, Death, and Betty Boop Images of sexuality and mortality resound throughout the Fleischer cartoons by Mark Langer Memoir: The Van Buren Studio Cartooning down Brodway by I. Klein Dream Masters II: Tex Avery For sufferers from Disney piety, Avery offers lasting relief by Jonathan Rosenbaum Tom and Jerry by Mark Kausler TV Animation: The decline and pratfall of a popular art by Leonard Maltin Wither the AFI? by Austin F. Lamont “What is the BFI?” by Verina Glaessner Interview Michael Maltese and Maurice Noble Conversations with Chuck Jones’s crucial collaborators by Joe Adamson Chuck Jones Like the great silent comedians, Jones could express emotions "through physical detail—and it was beautiful to watch." by Greg Ford and Richard Thompson Grim Natwick by John Canemaker Book Review Books by Joan Mellen Department Corrections: Letter from an Unknown Woman by Roger Greenspun Letters Charles Wolfe writes in on Claude Chabrol; Jonathan Rosenbaum replies by Film Comment
Read issue Subscribe to access more than 300 print issues of Film Comment in our comprehensively indexed, searchable archive. January-February 1975
Read issue Subscribe to access more than 300 print issues of Film Comment in our comprehensively indexed, searchable archive.
Independents: Structures On recent organizations formed by independent filmmakers by Amos Vogel Independents: Structures
Dream Masters I: Walt Disney The supreme heart-crusher contains multitudes: Hugh Hefner, Leni Riefenstahl, John and Henry Ford by Jonathan Rosenbaum Dream Masters I: Walt Disney
Dream Masters I: Walt Disney The supreme heart-crusher contains multitudes: Hugh Hefner, Leni Riefenstahl, John and Henry Ford by Jonathan Rosenbaum
Max and Dave Fleischer The inventor Max and the inventive Dave built a cartoon industry, with a little help from Ko-Ko, Betty Boop, Popeye, and the Bouncing Ball by Mark Langer Max and Dave Fleischer
Max and Dave Fleischer The inventor Max and the inventive Dave built a cartoon industry, with a little help from Ko-Ko, Betty Boop, Popeye, and the Bouncing Ball by Mark Langer
Winsor McCay Out of the Dark Age of film history came McCay the Renaissance Man, and his domesticated dinosaur Gertie by John Canemaker
Sex, Death, and Betty Boop Images of sexuality and mortality resound throughout the Fleischer cartoons by Mark Langer
Dream Masters II: Tex Avery For sufferers from Disney piety, Avery offers lasting relief by Jonathan Rosenbaum
Michael Maltese and Maurice Noble Conversations with Chuck Jones’s crucial collaborators by Joe Adamson
Chuck Jones Like the great silent comedians, Jones could express emotions "through physical detail—and it was beautiful to watch." by Greg Ford and Richard Thompson
