OSCAR REDUX
SAM FULLER
By Robert Fuller
Sam’s Place
CLINT EASTWOOD
CLINT ON THE BACK NINE
By Richard Schickel
THE GOOD, THE BAD, & THE UGLY
By Kathleen Murphy
Clint Eastwood as Romatic Hero
OLD GHOSTS
By Richard Combs
The Bridges of Madison County
PLAGIARISM
By Maria Demopoulos
Thieves Like Us: Directors Under the Influence
DEAD MAN
By Jacob Levich
Western Auguries: Jim Jarmusch’s Dead Man
STANLEY KWAN
By Michael Atkinson
Songs of Crushed Love: The Cinema of Stanley Kwan
CHINESE SILENTS
By Matt Severson
Silent Behind the Great Wall
DOUGLAS FAIRBANKS SR.
By John C. Tibbetts
The Choreography of Hope
JOHN SAYLES
Interviewed by Gavin Smith
‘I don’t want to blow anything by people’
AMERICAN JOB
By Jim Supankick
Down Time: Chris Smith’s American Job
NOBODY WILL SPEAK OF US WHEN WE ARE DEAD
By Chris Chang
My Life to Live
BERLIN FILM FESTIVAL
By Harlan Kennedy
Cold Comfort Films
FRENCH CINEMA
By Donald Lyons
Purple Noons and Quiet Evenings
MAMORU OSHII
By David Chute
The Soul of the New Machine: Mamoru Oshii’s Ghost in the Shell
