Festivals

ND/NF Interview: Anita Rocha da Silveira

By Manuel Betancourt

March 25, 2016

The director of Kill Me Please discusses the varieties of female desire in her reworking of a slasher story

ND/NF Interview: Omer Fast

By Clara Miranda Scherffig

March 21, 2016

Total recall: the gallery artist adapts the mindbending Tom McCarthy novel for his first theatrical feature

Interview: Anna Rose Holmer, Saela Davis & Lisa Kjerulff

By Violet Lucca

March 21, 2016

After-school special: the director and co-writers of The Fits talking about getting into rhythm with their sui generis film about young dancers

ND/NF Interview: Kirsten Johnson

By Sam Adams

March 18, 2016

Afterimages: the director of Cameraperson on documentary ethics and understanding trauma

ND/NF Interview: Kris Avedisian

By Alejandro Veciana

March 18, 2016

No place like home: the director of Donald Cried discusses crafting the definitive terrible friend from high school and sustaining painfully awkward humor

ND/NF Interview: Zhao Liang

By Michael Guarneri and Jin Wang

March 17, 2016

Beast of burden: Chinese industry and labor get a monumental canvas in Zhao Liang's infernal nonfiction film

ND/NF Interview: Babak Anvari

By Yonca Talu

March 16, 2016

Revolutionary spirit: the director of the semi-autobiographical, Polanski-influenced Under the Shadow discusses channeling the horrors of war

Make It Real: Look Ma, We’re All Hands

By Eric Hynes

March 15, 2016

Around and about: the filmmaking process and its many meanings at True/False 2016

Festivals: Migrating Forms

By Manuel Betancourt

March 15, 2016

Pop eats itself: a cross-section of artists and filmmakers breaking down the barrier between the mediated and the personal (and sometimes finding humor)

ND/NF Interview: Federico Veiroj

By José Teodoro

March 15, 2016

Doubts and murmurs: the director of The Apostate talks about his own religious upbringing and the similarities between the Catholic church and NSA