I’m looking through you: The common denominator in Ryūsuke Hamaguchi’s Drive My Car and Wheel of Fortune and Fantasy is an acceptance of transience in all things
Family vacation: In Mia Hansen-Løve’s latest, Bergman Island, the Swedish master’s influence offers less inspiration than a strategy for moving through life as an artist
Hands of God: Paul Verhoeven’s latest is an oddly buoyant film that treats its subject—the only nun on record to have a detailed account of sapphic exploits—with sincerity, even reverence
Group effort: critics Chloe Lizotte and Ela Bittencourt join to discuss highlights from this year's lineup, including The Tsugua Diaries, Haruhara-san’s Recorder, and more
Collective experience: TIFF’s experimental section remains vigorous 2021, with some films firmly rooted in rigorous visuality, and others more intensely personal
Sign up for the Film Comment Letter!
Thoughtful, original film criticism delivered straight to your inbox each week. Enter your email address below to subscribe.