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Cannes
Film of the Week: Oh Mercy!
By
Jonathan Romney
May 24, 2019
Cops and robbers: with his latest, a
film policier
, Arnaud Desplechin explicitly comes to terms with the world, in a very personal way
Interview: Adèle Haenel
By
Nicolas Rapold
May 24, 2019
Flaming creature: the star of three Cannes standouts, including Céline Sciamma’s
Portrait of a Woman on Fire
, on her ability to inhabit diverse characters
The Film Comment Podcast: Cannes 2019 Day 10
By
Nicolas Rapold
May 24, 2019
Going up: a closer look at some of the best Middle Eastern and African films at the festival
Cannes Dispatch: Once Upon a Time… in Hollywood
By
Eugene Hernandez
May 22, 2019
Eternal return: the director and stars of the Cannes sensation share some thoughts on what some have dubbed “Tarantino’s
Roma
”
Interview: Mati Diop
By
Eric Hynes
May 22, 2019
Crossing over: the director on her debut feature
Atlantics
, a love story haunted by the failures of the global economy
Interview: Kleber Mendonça Filho and Juliano Dornelles
By
Ela Bittencourt
May 21, 2019
Country life: The directors of
Bacurau
on how the film‘s setting in Brazil’s wild backcountry informed their blistering portrait of resistance
Cannes Dispatch: And Then We Danced
By
Eugene Hernandez
May 20, 2019
Old country waltz: Levan Akin’s
And Then We Danced
is a quietly revolutionary movie set in the former Soviet republic of Georgia
The Film Comment Podcast: Cannes 2019 Day 4
By
Nicolas Rapold
May 18, 2019
Stretching out: Kantemir Balagov’s
Beanpole
, Franco Lolli’s
Litigante
, Brazilian politics, and more on today’s festival rundown
Film of the Week: Bacurau
By
Jonathan Romney
May 17, 2019
It takes a village: though ungainly and sometimes ugly, there‘s a lot to admire in Kleber Mendonça Filho and Juliano Dornelles‘s Cannes entry
The Film Comment Podcast: Cannes 2019 Day 3
By
Nicolas Rapold
May 17, 2019
Taking aim: Kleber Mendonça Filho and Juliano Dornelles’s
Bacurau
, Mati Diop’s
Atlantique
, the state of documentary at Cannes, and more
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