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Founded in 1962 and originally released as a quarterly, Film Comment features reviews and analysis of mainstream, art-house, and avant-garde filmmaking from around the world.

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November-December 2011

Alexander Payne, Kim Longinotto, film novelizations, François Truffaut, British miserablism, George Kuchar, Ruben Östlund’s Play, Wim Wenders's Pina, reviews of The Artist, The Skin I Live In, Tomboy, Shame + Sleeping Beauty, Edward L. Cahn

September-October 2011

Includes Amy Taubin on David Cronenberg's A Dangerous Method, Chris Norris on Martin Scorsese's George Harrison: Living in the Material World, reviews of Restless, Drive, Machine Gun Preacher, The Debt

July-August 2011

Includes Kent Jones on Terrence Malick's The Tree of Life, Amy Taubin on Errol Morris's Tabloid and an interview with Morris by Nicolas Rapold, Raúl Ruiz's Mysteries of Lisbon, Chris Norris on Project Nim, reviews of Super 8, The Last Circus, and Terri. Plus, reports from Cannes.

May-June 2011

Woody Allen's Midnight in Paris, David Bordwell asks why cinephiles and academics can't just get along, Andrew Sarris on Octubre, reviews of Beginners, 13 Assassins and L'Amour fou, Page One: Inside The New York Times

March-April 2011

Includes Scott Foundas on Serge Bozon and Co., Michael Koresky on Insidious, reviews of Uncle Boonmee Who Can Recall His Past Lives, Uncle Kent, and Cedar Rapids. Plus, Meek's Cutoff, Juliette Binoche, Sidney Poitier, and Susanne Bier

January-February 2011

Best Films of 2010, James L. Brooks in conversation with Gavin Smith, Kent Jones on Shoah, Mike Leigh interviewed by Amy Taubin, Scott Foundas on Isild Le Besco, Robinson in Ruins, reviews of Cold Weather, The Strange Case of Angelica, The Time That Remains, and True Grit, plus short takes on Carancho, The Housemaid, Into Eternity, Of Gods and Men, Twelve Thirty, and The Way Back