Founded in 1962 and originally released as a quarterly, Film Comment features reviews and analysis of mainstream, art-house, and avant-garde filmmaking from around the world.
Wes Anderson’s Fantastic Mr. Fox, Michael Haneke interview, Richard Kelly's The Box, Robert Bresson and Sam Fuller, Anne Wiazemsky, Corneliu Porumboiu's Police, Adjective, Shirin Neshat's Women Without Men, Up in the Air, Laura Kern reports from the 6th annual Reykjavik International Film Festival
Spike Jonze's Where the Wild Things Are, Lars von Trier’s Antichrist, Alain Resnais’s Wild Grass, Guru Dutt, Andrew Sarris on Public Enemies, Sion Sono's Love Exposure, The Burning Plain by Melissa Anderson
Includes Scott Foundas on Inglourious Basterds, Amy Taubin on Lucrecia Martel’s The Headless Woman (plus an online-only interview with Martel), Thom Andersen on the Dardenne Brothers’ Lorna’s Silence, Hot Property: Breathless and It Might Get Loud by Chris Chang, Site Specifics: Artforum by Paul Fileri, a review of Still Walking by Tony Rayns, Cannes coverage by Amy Taubin, Gavin Smith, and Richard Peña
Kent Jones on The Limits of Control, plus an interview with director Jim Jarmusch by Gavin Smith, Amy Taubin on Kathryn Bigelow’s The Hurt Locker, Oliver Sacks’s examination of Powell & Pressburger’s A Matter of Life and Death, Hot Property: Can Go Through Skin by Chris Chang, National Film Board of Canada website, a review of Departures by Tony Rayns
Richard Schickel on Tom Hanks, an interview with 24 City director Jia Zhangke by Andrew Chan, Nicolas Rapold on Satyajit Ray, Kent Jones on Robert Mulligan’s The Stalking Moon, Geoffrey O’Brien revisits The Friends of Eddie Coyle, Amy Taubin takes a first look at Guy and Madeline on a Park Bench
The best films of 2009, The Curious Case of Benjamin Button (plus an online-only interview with David Fincher), Carlos Reygadas’s Silent Light, Melissa Anderson revisits The Killing of Sister George, Revanche, The Moguls and the Dictators