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Founded in 1962 and originally released as a quarterly, Film Comment features reviews and analysis of mainstream, art-house, and avant-garde filmmaking from around the world.

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November-December 2007

No Country for Old Men, Amy Taubin on the mumblecore movement, Ingmar Bergman, Eagle Pennell, Jason Reitman’s Juno, PBS’s P.O.V., Ridley Scott interviewed, Southland TalesThe Diving Bell and the Butterfly

September-October 2007

Jacques Rivette’s The Duchess of Langeais, Wes Anderson’s The Darjeeling Limited, Sidney Lumet’s Before the Devil Knows You’re Dead, the return of William Friedkin’s Cruising, David Cronenberg interviewed, the controversy over Fassbinder’s Berlin Alexanderplatz, Kihachi Okamoto

July-August 2007

Matt Groening’s Guilty Pleasures, Stuart Klawans on Sicko, Chris Darke on Kes, Distributor Wanted: After This Our Exile by Chris Chang, Klaus Kinski by Maitland McDonagh, Robert Horton’s review of Dans Paris

May-June 2007

Guy Maddin on Kenneth Anger, Jean-Daniel Pollet,  Lee Marvin, Apichatpong Weerasethakul’s Syndromes and a Century, Robinson Devor's Zoo, Pascale Ferran, Judd Apatow

March-April 2007

Paul Verhoeven, Diane Keaton, Edgar Wright’s Hot Fuzz, Carlos Saura, Satoshi Kon, grosses gloss, Pedro Costa, Readers’ Poll 2006, After the Wedding

January-February 2007

Best of 2006, 10-Best Lists, Movies That Mattered, Terra Incognita (19 films to look out for), Clint Eastwood’s Letters from Iwo Jima and Flags of Our Fathers, Alfonso Cuarón’s Children of Men, Guillermo del Toro, David Lynch’s Inland Empire, Claude Chabrol, Lou Ye’s Summer Palace, Bong Joon-Ho’s guilty pleasures, Play It As It Lays, Black Snake Moan