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Founded in 1962 and originally released as a quarterly, Film Comment features reviews and analysis of mainstream, art-house, and avant-garde filmmaking from around the world.

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November-December 1999

Kevin Smith’s Dogma, Leopoldo Trieste, Ann Sothern, Ang Lee’s Ride with the Devil, Woody Allen’s Sweet and Lowdown, Victor Mature, Chris Smith’s American Movie, Tim Robbins’s  Cradle Will Rock

September-October 1999

David Fincher and Fight Club, Stanley Kubrick’s Eyes Wide Shut, Spike Jonze’s Being John Malkovich, Clive Brook’s On Approval, Catherine Breillat, Hou Hsiao-hsien, The Third Man and Touch of Evil, Steven Soderbergh, Tom Twyker’s Run Lola Run

July-August 1999

Albert Brooks interview, Cannes 1999 coverage, Oliver Reed, Robert Bresson symposium, Fred Zinnemann's Act of Violence, Hirozaku Kore-eda, Alfred Hitchcock, François Truffaut, The Blair Witch Project, Léos Carax’s Les Amants du Pont-Neuf

May-June 1999

Mike Nichols interview, Robert Bresson symposium, Tehran Film Festival, Berlin Film Festival, Doug Liman’s Go, Claude Jutra’s Mon Oncle Antoine, David Cronenberg’s eXistenZ

March-April 1999

Bernardo Bertolucci's Besieged, Julia Sweeney, Alfred Hitchcock's Notorious, the Gay Nineties, Ben-Hur, Eddie Romero, Warren Sonbert, Rotterdam and Sundance 1999 coverage

January-February 1999

Terence Malick's The Thin Red Line, Milton Moses Ginsburg on Coming Apart, Wes Anderson, Akira Kurosawa, John Carpenter, Jacques Becker, Aleksei German, PetuliaSmall Change, Happiness, and Best Films of 1998, the Avant-Garde in 1998