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Founded in 1962 and originally released as a quarterly, Film Comment features reviews and analysis of mainstream, art-house, and avant-garde filmmaking from around the world.

Select by year:

November-December 1994

Forrest Gump vs. Natural Born Killers, Lindsay Anderson, Kieslowski’s Three Colors Trilogy, Tim Burton interview, Peter Cushing, Toronto and New York Film Festivals

September-October 1994

Ken Burn’s Baseball, Mitchell Leisen, Federico Fellini, the Brothers Quay, Gregg Araki, Allison Ander, Mike Leigh’s BBC films

July-August 1994

Quentin Tarantino interviewed, Oliver Stone’s Natural Born Killers preview, Cannes ’94, Marco Bellocchio’s The Conviction, Carol Reed, George Sidney’s Viva Las Vegas, Tian Zhuangzhuang interviewed, Bertrand Tavernier on John Ford in Paris, Whit Stillman’s Barcelona

May-June 1994

Special section on Irish cinema, Alexander Mackendrick interview, Lodge Kerrigan's Clean, Shaven, Kevin Smith's Clerks, Pedro Almodóvar's Kika, Léos Carax, the making of The Wild Bunch

March-April 1994

Oscar predix, Stanley Kubrick’s Fear and Desire, Donald Siegel’s autobiography reviewed, an appreciation of Victor Nuñez, the Film Society salutes Robert Altman, Austrian filmmakers, Josef von Sternberg’s The Blue Angel, two assessments of Steven Spielberg’s Schindler’s List, Ken Loach interviewed, Walter Hill

January-February 1994

Roman Polanski’s Bitter Moon, Néstor Almendros, Kinuyo Tanaka, career interviews with both Oliver Stone and Tommy Lee Jones, Orson Welles’s F for Fake, Chinese independent cinema, Roger Donaldson, Cyril Collard’s Savage Nights, Robert Montgomery’s Ride the Pink Horse, Alex Cox