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Founded in 1962 and originally released as a quarterly, Film Comment features reviews and analysis of mainstream, art-house, and avant-garde filmmaking from around the world.

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November-December 1990

Stephen Frears’s The Grifters, Fritz Lang’s centenary, Barry Levinson interviewed, F.W. Murnau and Robert Flaherty’s Tabu, a career appreciation of Theo Angelopoulos, Arthur Terry, Robert Towne, David Lynch’s Wild at Heart, Toronto and Venice

September-October 1990

The Coen Brothers’ Miller’s Crossing, MPAA ratings, David Lean, Ken Burns’s The Civil War, Teresa Wright, Cannes 1990, Martin Scorsese’s Goodfellas, John Turturro interviewed, British crime films, Maurizio Nichetti, Joseph L. Mankiewicz’s Five Fingers

July-August 1990

Richard Linklater, Paul Verhoeven, and Abel Ferrara interviewed, Andrew Sarris on the state of film criticism, Paul Schrader's The Comfort of Strangers, Greta Garbo, Barbara Stanwyck, Ava Gardner, and Jonathan Rosenbaum on Andrei Tarkovsky's Solaris

May-June 1990

Roger Ebert versus Richard Corliss, Peter Greenaway interviewed, midsection on Michael Powell, Henry: Portrait of a Serial Killer, Raul Ruiz’s The Golden BoatLongtime Companion, Kid ’n Play interviewed

March-April 1990

Richard Corliss on the state of film criticism, special midsection on Jimmy Stewart, Jeanne Moreau interviewed, James Toback’s The Big BangTwin Peaks, Jennifer Jason Leigh interviewed, Ten Apocryphal Hollywood Tales

January-February 1990

Michael Douglas interviewed, Neil Jordan interviewed, the public domain, special midsection on ’80s movie moguls, the 1989 movie revue, Ed Zwick interviewed, Oscar predix, William Gibson and Clive Barker venture into filmmaking, festival coverage