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Founded in 1962 and originally released as a quarterly, Film Comment features reviews and analysis of mainstream, art-house, and avant-garde filmmaking from around the world.

Select by year:

Fall 1965

Special section on Pier Paolo Pasolini, The Gospel According to St. Matthew, Peter Watkins interview, the Hollywood Blacklist, pornography in film

Summer 1965

Ralph Nelson interview, Otto Preminger, Francois Truffaut,  Tokyo Olympiad, editing cinéma vérité, the film lectures of Slavko Vorkapich, civil liberties, La Peau DouceUne Femme MariéeLe Bonheur

Spring 1965

Robert Rossen, Michael Roemer, Robert Young, Richard Leacock interview, Willard Van Dyke interview, Letters from The River, Jacques Demy’s The Umbrellas of Cherbourg, Ingmar Bergman

Winter 1965

Extensive consideration of Leni Riefenstahl, contemporary German film, Hiroshi Teshigahara’s Woman in the Dunes, Michelangelo Antonioni’s Red Desert, Michael Roemer’s Nothing but a Man