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Interview: Josh & Benny Safdie

By Dan Sullivan on May 26, 2015

Volatile spirits: the directors of NYFF selection Heaven Knows What and Daddy Longlegs discuss the intricate role of actors in their writing process

Cannes Dispatch #4: Hou & Jia

By Eugene Hernandez on May 24, 2015

History boys: on the hotly anticipated The Assassin and Mountains May Depart, from directors Hou Hsiao-hsien and Jia Zhang-ke

Cannes Roundtable #1

By Film Comment on May 22, 2015

Our international panel of caffeinated critics debates Cannes premieres by Todd Haynes, Apichatpong Weerasethakul, Pixar, Yorgos Lanthimos, and more

Film of the Week: Arabian Nights

By Jonathan Romney on May 22, 2015

Special Cannes edition: Miguel Gomes's six-hour, three-part reimagining of 1001 Nights is a magnificent, one-of-a-kind reckoning with hard times

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Cannes Dispatch #3: The Lobster

By Eugene Hernandez on May 22, 2015

The birds and the bees: Yorgos Lanthimos's English-language debut mixes surrealism with the realities of modern courtship

Deep Focus: Tomorrowland

By Michael Sragow on May 21, 2015

Le Corbusier shrugged: Brad Bird's less-than-spectacular look at the (retro-tinged) world of tomorrow

Rep Diary: Valentine’s Day Massacre

By Malcolm Thorndike Nicholson on May 20, 2015

In anticipation of the Cannes premiere of Gaspar Noé's Love, a look back at the annual (anti-?) romantic series at Anthology Film Archives and sex on film

Bombast: Truck Yeah

By Nick Pinkerton on May 15, 2015

What's your 20, good buddy? A look at the lawless, unmistakably Western-influenced big-rig genre

Cannes Dispatch #1: Tale of Tales

By Eugene Hernandez on May 15, 2015

Fractured fairy tales: Matteo Garrone's star-studded adaptation of ancient Neapolitan kids'-lit isn't so much heart-pounding as heart-swallowing

Deep Focus: Mad Max: Fury Road

By Michael Sragow on May 14, 2015

Who runs the (post-apocalyptic) world? On George Miller's latest entry in his long-running, high-octane saga

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From the Archives

Touch of Evil

From a Summer 1971 special section on Orson Welles: where (and what) is “Mexico”?

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