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Interview: Fabio Grassadonia & Antonio Piazza

By David Gregory Lawson on Aug 26, 2014

Blindness and redemption, Sicilian style: the directors of Salvo discuss their expressionistic thriller

Interview: Catherine Breillat

By David Gregory Lawson on Aug 25, 2014

Power, seduction, and lies: Breillat speaks about color, love, and working with Kool Shen in Abuse of Weakness

Kaiju Shakedown: Patrick Lung Kong

By Grady Hendrix on Aug 23, 2014

Blazing a trail: an appreciation of this influential Hong Kong director of Cantonese cinema who always kept social issues within the frame

Bombast: The Apple, After the Fall

By Nick Pinkerton on Aug 22, 2014

The high-low country: parsing the taste of the late Menahem Golan through the 1980 semiotext The Apple

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Rep Diary: Forgotten Faces

By R. Emmet Sweeney on Aug 19, 2014

Paramount importance: a silent discovery at Capitolfest yields up a Murnau-influenced symphony of movement and emotion

Interview: Aleksandr Sokurov

By Lucas Neves and Violet Lucca on Aug 15, 2014

The director of Faust and Russian Ark discusses his glasnost-era science-fiction adaptation Days of Eclipse and comments on contemporary Russian politics

Film of the Week: Abuse of Weakness

By Jonathan Romney on Aug 14, 2014

The real thing: Isabelle Huppert does another conjuring act in Catherine Breillat's drama about her folie a deux with a con man

Kaiju Shakedown: Lee Myung-Se

By Grady Hendrix on Aug 13, 2014

Due consideration: in praise of Korean filmmaker Lee Myung-Se—and keeping an open mind

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From the Archives

Dead Birds

From the Winter 1964 issue: Robert Gardner writes about his landmark documentary, Dead Birds

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