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Critical Dialogue: The Bling Ring

Critical Dialogue: The Bling Ring

By Max Nelson
6.18.2013

Is Sofia Coppola's latest a reflective meditation or a wealthy teenage wasteland?

Review: A Hijacking

Review: A Hijacking

By Jonathan Robbins
6.17.2013

Drama on the high seas! But is it ship-shape?

Interview: Marco Bellocchio

Interview: Marco Bellocchio

By Max Nelson
6.12.2013

The acclaimed director of Dormant Beauty, Fists in the Pocket, and Vincere discusses faith and the question of judgment in his work

Review: This Is The End

Review: This Is The End

By Max Kyburz
6.11.2013

It's a mad, mad, mad, mad end of the world

Review: In the Fog

Review: In the Fog

By Aaron Light
6.10.2013

The Nazi occupation tale reveals the lighter side of Belorussian director Sergei Loznitsa—relatively speaking

Review: Wish You Were Here

Review: Wish You Were Here

By Max Nelson
6.5.2013

Kieran Darcy-Smith's carefully calibrated debut about a friend gone missing is very accomplished, which might not be a good thing

Interview: Peter Strickland

Interview: Peter Strickland

By Violet Lucca
6.4.2013

Inside the world of Berberian Sound Studio with its film- and music-besotted director

Rep Diary: Robert Aldrich and Burt Lancaster

Rep Diary: Robert Aldrich and Burt Lancaster

By Nick Pinkerton
5.31.2013

Behind the über-masculine collaboration that spawned a ferocious history of the West in Apache, Vera Cruz, and Ulzana’s Raid

Cannes by Koehler: The Owners & Ate ver a luz

Cannes by Koehler: The Owners & Ate ver a luz

By Robert Koehler
5.31.2013

The politics of looking through the eyes of another, in this final dispatch

Review: Shadow Dancer

Review: Shadow Dancer

By Jared Eisenstat
5.30.2013

James Marsh’s restrained IRA thriller puts people above politics—even if its characters don’t

Festivals: Oberhausen

Festivals: Oberhausen

By Agnieszka Gratza
5.29.2013

Highlights from the 59th edition of the venerable short film festival

Review: Hannah Arendt

Review: Hannah Arendt

By Henry Giardina
5.28.2013

Margarethe von Trotta’s biographical film restages the question of moral—and critical—initiative

 
Critical Dialogue: Leviathan

Critical Dialogue: Leviathan

By Max Nelson on 3.8.2013

Staring into the abyss—with GoPro cams
Our Nixon Outtakes

Our Nixon Outtakes

By Genevieve Yue on 3.7.2013

Talking through the less inflammatory portions of Nixon's presidency
Review: The Unspeakable Act

Review: The Unspeakable Act

By Jonathan Robbins on 3.5.2013

All in the family: a young woman's obsession with her brother is subtly depicted in Dan Sallitt's new feature
Rep Diary: Le Pont du Nord

Rep Diary: Le Pont du Nord

By Max Nelson on 3.5.2013

"Don't try to understand": choose your own Rivette adventure
Review: Stoker

Review: Stoker

By Max Nelson on 3.4.2013

Southern gothic: Park Chan-wook's Shadow of a Doubt–inspired English-language debut
Review: Jack the Giant Slayer

Review: Jack the Giant Slayer

By John Wildman on 3.4.2013

Bryan Singer eats at the kids' table
Interview: Michel Gondry

Interview: Michel Gondry

By Violet Lucca on 2.27.2013

Get on the bus: talking technique with Michel Gondry, whose newest film The We and I was featured in Film Comment Selects
Interview: Paul Williams

Interview: Paul Williams

By Margaret Barton-Fumo on 2.26.2013

Because Paul Williams Still Alive is simply not enough Paul Williams: a chat with the songwriter and actor
Rep Diary: Echoes of Silence (1967)

Rep Diary: Echoes of Silence (1967)

By Max Nelson on 2.26.2013

Strangers in the night: Peter Emanuel Goldman’s restless New York nocturne
Last Ten Films: Park Chan-wook

Last Ten Films: Park Chan-wook

By Film Comment on 2.20.2013

In anticipation of his new film Stoker, the director of Oldboy goes public with his viewing log

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