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Cannes by Koehler: Salvo

Cannes by Koehler: Salvo

By Robert Koehler
5.16.2013

Live from the Croisette, it's Robert Koehler. First up: Sicilian gangster gumption, courtesy of Fabio Grassadonia and Antonio Piazza

Review: Pieta

Review: Pieta

By Max Kyburz
5.14.2013

Kim Ki-duk's Catholic phase

Festivals: Tribeca

Festivals: Tribeca

By Amy Taubin
5.13.2013

The 12th edition of the festival offered more than just Bub and Bobby brushing shoulders

Rep Diary: Maine-Océan

Rep Diary: Maine-Océan

By Giovanni Marchini Camia
5.10.2013

Overlooked Nouvelle Vague director Jacques Rozier builds a Tower of Babel by the sea in this forgotten 1985 film

Critical Dialogue: Something in the Air

Critical Dialogue: Something in the Air

By Max Nelson
5.8.2013

The political is personal—even if you're sort of in it for the girls

Review: The Great Gatsby

Review: The Great Gatsby

By Violet Lucca
5.7.2013

Missing the punch—and point—of F. Scott Fitzgerald's classic

Interview: Jason Osder

Interview: Jason Osder

By Nicolas Rapold
5.6.2013

The past in present tense: uncovering the devastating clash between a militant group and Philadelphia police

Review: Love Is All You Need

Review: Love Is All You Need

By Meredith Slifkin
5.3.2013

The lighter side of Susanne Bier

Review: What Maisie Knew

Review: What Maisie Knew

By Emma Myers
5.3.2013

An update of Henry James's What Maisie Knew walks the line between drama and black humor

Interview: Emir Baigazin

Interview: Emir Baigazin

By Nicolas Rapold
5.2.2013

The director of Harmony Lessons explains the high school food chain and his inspirations

Homeward Bound: The Tangled Legacy of the Home Movie

Homeward Bound: The Tangled Legacy of the Home Movie

By Max Nelson
5.1.2013

From family trips to Jonas Mekas and Post Tenebras Lux

Overheard: Steven Soderbergh

Overheard: Steven Soderbergh

By Film Comment
4.30.2013

Steven Soderbergh's SFIFF56 State of Cinema Address, now available for your listening or reading pleasure

 
In Search of Wild Things: Amy Taubin at Sundance 2012

In Search of Wild Things: Amy Taubin at Sundance 2012

By Amy Taubin on 2.23.2012

A single film can still redeem a festival dominated by underachievers—or at least for Amy Taubin.
Shock Value: Laura Kern at Sundance 2012

Shock Value: Laura Kern at Sundance 2012

By Laura Kern on 2.23.2012

The provocations piled up in Park City but few packed a punch.
Film Comment’s Trivial Top 20®: Worst Winners of Best Picture Oscars®

Film Comment’s Trivial Top 20®: Worst Winners of Best Picture Oscars®

By on 2.23.2012

Put away the bean dip and cancel your Oscar party! Our contributors remind you why you shouldn't get too excited for Sunday's fete.
Berlin Calling: Robert Koehler on the awards

Berlin Calling: Robert Koehler on the awards

By Robert Koehler on 2.22.2012

The prizes at the 62nd Berlinale
Film Comment Selects: Mortem

Film Comment Selects: Mortem

By Violet Lucca on 2.16.2012

The greatest love of all.
Film Comment Selects Q&A: James Franco

Film Comment Selects Q&A: James Franco

By Violet Lucca on 2.16.2012

The making of the re-making of My Own Private Idaho
Heretical Heuristics: J. Hoberman and Ken Jacobs Explain the Movi-verse

Heretical Heuristics: J. Hoberman and Ken Jacobs Explain the Movi-verse

By Violet Lucca on 2.14.2012

Film Comment Selects Interview: J. Hoberman and Ken Jacobs on multiple projections.
From the Archives: William Wellman by Bertrand Tavernier

From the Archives: William Wellman by Bertrand Tavernier

By Bertrand Tavernier on 2.10.2012

Bertrand Tavernier examines the career of Hollywood hellraiser William Wellman.
Interview: Béla Tarr, the Complete Works

Interview: Béla Tarr, the Complete Works

By R. Emmet Sweeney on 2.2.2012

Tarr discusses all of his films.
Announcing the 12th Edition of Film Comment Selects!

Announcing the 12th Edition of Film Comment Selects!

By Violet Lucca on 1.31.2012

Coming to Film Society February 17 – March 1, this year's lineup has something for everyone, from documentaries to good old-fashioned horror flicks, festival rarities and one helluva triple-projection by film critic J. Hoberman.

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