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Cannes by Koehler: Salvo

Cannes by Koehler: Salvo

By Robert Koehler
5.16.2013

Live from the Croisette, it's Robert Koehler. First up: Sicilian gangster gumption, courtesy of Fabio Grassadonia and Antonio Piazza

Review: Pieta

Review: Pieta

By Max Kyburz
5.14.2013

Kim Ki-duk's Catholic phase

Festivals: Tribeca

Festivals: Tribeca

By Amy Taubin
5.13.2013

The 12th edition of the festival offered more than just Bub and Bobby brushing shoulders

Rep Diary: Maine-Océan

Rep Diary: Maine-Océan

By Giovanni Marchini Camia
5.10.2013

Overlooked Nouvelle Vague director Jacques Rozier builds a Tower of Babel by the sea in this forgotten 1985 film

Critical Dialogue: Something in the Air

Critical Dialogue: Something in the Air

By Max Nelson
5.8.2013

The political is personal—even if you're sort of in it for the girls

Review: The Great Gatsby

Review: The Great Gatsby

By Violet Lucca
5.7.2013

Missing the punch—and point—of F. Scott Fitzgerald's classic

Interview: Jason Osder

Interview: Jason Osder

By Nicolas Rapold
5.6.2013

The past in present tense: uncovering the devastating clash between a militant group and Philadelphia police

Review: Love Is All You Need

Review: Love Is All You Need

By Meredith Slifkin
5.3.2013

The lighter side of Susanne Bier

Review: What Maisie Knew

Review: What Maisie Knew

By Emma Myers
5.3.2013

An update of Henry James's What Maisie Knew walks the line between drama and black humor

Interview: Emir Baigazin

Interview: Emir Baigazin

By Nicolas Rapold
5.2.2013

The director of Harmony Lessons explains the high school food chain and his inspirations

Homeward Bound: The Tangled Legacy of the Home Movie

Homeward Bound: The Tangled Legacy of the Home Movie

By Max Nelson
5.1.2013

From family trips to Jonas Mekas and Post Tenebras Lux

Overheard: Steven Soderbergh

Overheard: Steven Soderbergh

By Film Comment
4.30.2013

Steven Soderbergh's SFIFF56 State of Cinema Address, now available for your listening or reading pleasure

 
All That  Heaven Allows: What is, or was, cinephilia? (Part Two)

All That Heaven Allows: What is, or was, cinephilia? (Part Two)

By Nico Baumbach on 3.14.2012

The second part of Nico Baumbach's thoughts on the state of cinephilia, which deals with the role of critics
All That  Heaven Allows: What is, or was, cinephilia? (Part One)

All That Heaven Allows: What is, or was, cinephilia? (Part One)

By Nico Baumbach on 3.12.2012

An inquiry into the love that dare not speak its name, except when it does
The Incredible Shrinking Movies

The Incredible Shrinking Movies

By Jeff Williamson on 3.8.2012

Or: How I Learned to Love Watching Lawrence of Arabia on My Wristwatch
Rotterdam’s Bright Side: Robert Koehler on the Bright Future Section

Rotterdam’s Bright Side: Robert Koehler on the Bright Future Section

By Robert Koehler on 3.7.2012

Regular watchers of the Rotterdam Film Festival’s reliably sprawling Bright Future section—one of the festival world’s most optimistically titled programs—know that there’s no way to come close to pinning down its slate of films by first- and second-time directors.
This Is DCP: Is That It?

This Is DCP: Is That It?

By Jonathan Robbins on 3.7.2012

Film Forum’s Digital Showcase
Film Comment Interview: Andrzej Zulawski

Film Comment Interview: Andrzej Zulawski

By Margaret Barton-Fumo on 3.6.2012

One on one with the inimitable Andrzej Zulawski, subject of BAMcinématek’s complete retrospective
Film Comment Selects Q&A: Yorgos Lanthimos

Film Comment Selects Q&A: Yorgos Lanthimos

By Nicolas Rapold on 2.28.2012

An interview with the director of Alps and Dogtooth
Community Values: Gavin Smith Reports from Rotterdam 2012

Community Values: Gavin Smith Reports from Rotterdam 2012

By Gavin Smith on 2.27.2012

The Tiger Competition bears its claws
Robert Koehler on Sundance 2012

Robert Koehler on Sundance 2012

By Robert Koehler on 2.24.2012

Robert Koehler provides a unique perspective on the florae and faunae of Sundace's film kingdom
Film Comment Selects Q&A: Alexander Zeldovich

Film Comment Selects Q&A: Alexander Zeldovich

By Violet Lucca on 2.23.2012

A rare English-language interview with Alexander Zeldovich, director of the sprawling dystopian epic Target

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