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Critical Dialogue: The Bling Ring
By Max Nelson
6.18.2013
Is Sofia Coppola's latest a reflective meditation or a wealthy teenage wasteland?
Interview: Marco Bellocchio
By Max Nelson
6.12.2013
The acclaimed director of Dormant Beauty, Fists in the Pocket, and Vincere discusses faith and the question of judgment in his work
Review: In the Fog
By Aaron Light
6.10.2013
The Nazi occupation tale reveals the lighter side of Belorussian director Sergei Loznitsa—relatively speaking
Review: Wish You Were Here
By Max Nelson
6.5.2013
Kieran Darcy-Smith's carefully calibrated debut about a friend gone missing is very accomplished, which might not be a good thing
Interview: Peter Strickland
By Violet Lucca
6.4.2013
Inside the world of Berberian Sound Studio with its film- and music-besotted director
Rep Diary: Robert Aldrich and Burt Lancaster
By Nick Pinkerton
5.31.2013
Behind the über-masculine collaboration that spawned a ferocious history of the West in Apache, Vera Cruz, and Ulzana’s Raid
Cannes by Koehler: The Owners & Ate ver a luz
By Robert Koehler
5.31.2013
The politics of looking through the eyes of another, in this final dispatch
Review: Shadow Dancer
By Jared Eisenstat
5.30.2013
James Marsh’s restrained IRA thriller puts people above politics—even if its characters don’t
Festivals: Oberhausen
By Agnieszka Gratza
5.29.2013
Highlights from the 59th edition of the venerable short film festival
Review: Hannah Arendt
By Henry Giardina
5.28.2013
Margarethe von Trotta’s biographical film restages the question of moral—and critical—initiative
Cannes Roundtable: Amy Taubin, Gavin Smith, Todd McCarthy, Scott Foundas
By on 5.22.2012
A no-holds-barred discussion of the films so far
Review: Polisse
By Sophie Blum on 5.21.2012
The young and the restless in Maïwenn's ensemble special-victims-unit cop drama
Cannes Market Watch: Bergman & Magnani: The War of the Volcanoes
By Robert Koehler on 5.20.2012
What went down when Roberto Rossellini made Stromboli next door to his ex-lover
Cannes Market Watch: A Monkey on My Shoulder
By Robert Koehler on 5.19.2012
Juliette Binoche and Edgar Ramirez as a lusty, ludicrous couple
Review: Lovely Molly
By Sophie Blum on 5.18.2012
Blair Witch Project co-director Eduardo Sanchez returns to the big screen with little fanfare and lazy misogyny
Welcome to the New Film Comment Online
By on 5.17.2012
Forget everything you thought you knew about this website...
Cannes Market Watch: The Clan
By Robert Koehler on 5.17.2012
An uninspired, no-thrills Spanish thriller set in the Forties under Franco
Review: Elena
By Jonathan Robbins on 5.16.2012
Andrey Zvyagintsev diagnoses the greed-afflicted soul of Russia
