Blog 
Cannes by Koehler: Salvo
By Robert Koehler
5.16.2013
Live from the Croisette, it's Robert Koehler. First up: Sicilian gangster gumption, courtesy of Fabio Grassadonia and Antonio Piazza
Festivals: Tribeca
By Amy Taubin
5.13.2013
The 12th edition of the festival offered more than just Bub and Bobby brushing shoulders
Rep Diary: Maine-Océan
By Giovanni Marchini Camia
5.10.2013
Overlooked Nouvelle Vague director Jacques Rozier builds a Tower of Babel by the sea in this forgotten 1985 film
Critical Dialogue: Something in the Air
By Max Nelson
5.8.2013
The political is personal—even if you're sort of in it for the girls
Review: The Great Gatsby
By Violet Lucca
5.7.2013
Missing the punch—and point—of F. Scott Fitzgerald's classic
Interview: Jason Osder
By Nicolas Rapold
5.6.2013
The past in present tense: uncovering the devastating clash between a militant group and Philadelphia police
Review: What Maisie Knew
By Emma Myers
5.3.2013
An update of Henry James's What Maisie Knew walks the line between drama and black humor
Interview: Emir Baigazin
By Nicolas Rapold
5.2.2013
The director of Harmony Lessons explains the high school food chain and his inspirations
Homeward Bound: The Tangled Legacy of the Home Movie
By Max Nelson
5.1.2013
From family trips to Jonas Mekas and Post Tenebras Lux
Overheard: Steven Soderbergh
By Film Comment
4.30.2013
Steven Soderbergh's SFIFF56 State of Cinema Address, now available for your listening or reading pleasure
Cannes Roundtable: Amy Taubin, Gavin Smith, Todd McCarthy, Scott Foundas
By on 5.22.2012
A no-holds-barred discussion of the films so far
Review: Polisse
By Sophie Blum on 5.21.2012
The young and the restless in Maïwenn's ensemble special-victims-unit cop drama
Cannes Market Watch: Bergman & Magnani: The War of the Volcanoes
By Robert Koehler on 5.20.2012
What went down when Roberto Rossellini made Stromboli next door to his ex-lover
Cannes Market Watch: A Monkey on My Shoulder
By Robert Koehler on 5.19.2012
Juliette Binoche and Edgar Ramirez as a lusty, ludicrous couple
Review: Lovely Molly
By Sophie Blum on 5.18.2012
Blair Witch Project co-director Eduardo Sanchez returns to the big screen with little fanfare and lazy misogyny
Welcome to the New Film Comment Online
By on 5.17.2012
Forget everything you thought you knew about this website...
Cannes Market Watch: The Clan
By Robert Koehler on 5.17.2012
An uninspired, no-thrills Spanish thriller set in the Forties under Franco
Review: Elena
By Jonathan Robbins on 5.16.2012
Andrey Zvyagintsev diagnoses the greed-afflicted soul of Russia
