Blog 
Critical Dialogue: The Bling Ring
By Max Nelson
6.18.2013
Is Sofia Coppola's latest a reflective meditation or a wealthy teenage wasteland?
Interview: Marco Bellocchio
By Max Nelson
6.12.2013
The acclaimed director of Dormant Beauty, Fists in the Pocket, and Vincere discusses faith and the question of judgment in his work
Review: In the Fog
By Aaron Light
6.10.2013
The Nazi occupation tale reveals the lighter side of Belorussian director Sergei Loznitsa—relatively speaking
Review: Wish You Were Here
By Max Nelson
6.5.2013
Kieran Darcy-Smith's carefully calibrated debut about a friend gone missing is very accomplished, which might not be a good thing
Interview: Peter Strickland
By Violet Lucca
6.4.2013
Inside the world of Berberian Sound Studio with its film- and music-besotted director
Rep Diary: Robert Aldrich and Burt Lancaster
By Nick Pinkerton
5.31.2013
Behind the über-masculine collaboration that spawned a ferocious history of the West in Apache, Vera Cruz, and Ulzana’s Raid
Cannes by Koehler: The Owners & Ate ver a luz
By Robert Koehler
5.31.2013
The politics of looking through the eyes of another, in this final dispatch
Review: Shadow Dancer
By Jared Eisenstat
5.30.2013
James Marsh’s restrained IRA thriller puts people above politics—even if its characters don’t
Festivals: Oberhausen
By Agnieszka Gratza
5.29.2013
Highlights from the 59th edition of the venerable short film festival
Review: Hannah Arendt
By Henry Giardina
5.28.2013
Margarethe von Trotta’s biographical film restages the question of moral—and critical—initiative
Review: Tahrir: Liberation Square
By Graham Corrigan on 6.20.2012
On the popular front lines of the Egyptian Revolution
↔ (Part One)
By B. Kite on 6.18.2012
A dialogue between B. Kite and Kent Jones about the oeuvre and perception of Robert Bresson
↔ (Part Two)
By Kent Jones on 6.18.2012
Kent Jones's response to B. Kite's video essay about Robert Bresson
Interview: Ethan Hawke
By Emma Myers on 6.15.2012
The actor/director/writer on his latest movie, Pawel Pawlikowski’s The Woman in the Fifth, and on how to choose roles
Shooting First: Talking Spaghetti Westerns at the Italian Cultural Institute
By Jonathan Robbins on 6.14.2012
Tony Musante: “Sergio told me he was looking for an inexpensive Eli Wallach.”
Review: Your Sister’s Sister
By Dan Sullivan on 6.14.2012
Lynn Shelton makes a play for the mainstream with this girls vs. boy rom-com
Cannes 2012 Diary: On Reygadas & Carax
By Scott Foundas on 6.13.2012
The shock of the new: a look at two uneasily received Cannes films that will stand the test of time
Review: Extraterrestrial
By John Wildman on 6.12.2012
The extraterrestrial meets the extramarital in this romance-tinged sci-fi flick
