Blog 
Cannes by Koehler: Ilo Ilo, Bends, and The Lunchbox
By Robert Koehler
5.22.2013
Good old-fashioned sharp storytelling drive three films dramatizing the human cost of East Asia’s continued economic upheaval
Cannes Roundtable One: Amy Taubin, Gavin Smith, Kent Jones, Marco Grosoli
By Film Comment
5.21.2013
Le Joli Mai: FILM COMMENT editors and contributors gather to suss out the good, the bad, and the ugly of Cannes 2013
Cannes: Amy Taubin on Behind the Candelabra
By Amy Taubin
5.21.2013
Steven Soderbergh’s irresistibly entertaining Liberace biopic comes out on top at Cannes
Cannes by Koehler: Salvo
By Robert Koehler
5.16.2013
Live from the Croisette, it's Robert Koehler. First up: Sicilian gangster gumption, courtesy of Fabio Grassadonia and Antonio Piazza
Festivals: Tribeca
By Amy Taubin
5.13.2013
The 12th edition of the festival offered more than just Bub and Bobby brushing shoulders
Rep Diary: Maine-Océan
By Giovanni Marchini Camia
5.10.2013
Overlooked Nouvelle Vague director Jacques Rozier builds a Tower of Babel by the sea in this forgotten 1985 film
Critical Dialogue: Something in the Air
By Max Nelson
5.8.2013
The political is personal—even if you're sort of in it for the girls
Review: The Great Gatsby
By Violet Lucca
5.7.2013
Missing the punch—and point—of F. Scott Fitzgerald's classic
Interview: Jason Osder
By Nicolas Rapold
5.6.2013
The past in present tense: uncovering the devastating clash between a militant group and Philadelphia police
Review: What Maisie Knew
By Emma Myers
5.3.2013
An update of Henry James's What Maisie Knew walks the line between drama and black humor
Review: China Heavyweight
By Meredith Slifkin on 7.5.2012
Yung Chang's latest ducks and weaves between the traditional sports film and social commentary doc
Festivals: Seattle International Film Festival
By Eric Hynes on 7.2.2012
Seattle's 25-day, 273-feature festival serves up generous portions and plenty of treats
Interview: Steven Soderbergh
By Amy Taubin on 6.29.2012
Steven Soderbergh interviewed by Amy Taubin two days before the opening of Magic Mike
Review: Ted
By Violet Lucca on 6.29.2012
Think what you want, but it's better than The Beaver
The Anatomy of Anguish: Rainer Werner Fassbinder (1945-1982)
By Violet Lucca on 6.28.2012
A closer look at the moments in Fassbinder that linger
Review: Take This Waltz
By Sarah Mankoff on 6.28.2012
Sarah Polley's latest feature dares to ask tough questions about long-term relationships
New York Asian Film Festival
By R. Emmet Sweeney on 6.27.2012
Sentimentality and splatter strike a balance at this year's NYAFF
Review: To Rome with Love
By Emma Myers on 6.26.2012
Dare to lurve Woody again? But I've been burned so many times before...
