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Critical Dialogue: The Bling Ring

Critical Dialogue: The Bling Ring

By Max Nelson
6.18.2013

Is Sofia Coppola's latest a reflective meditation or a wealthy teenage wasteland?

Review: A Hijacking

Review: A Hijacking

By Jonathan Robbins
6.17.2013

Drama on the high seas! But is it ship-shape?

Interview: Marco Bellocchio

Interview: Marco Bellocchio

By Max Nelson
6.12.2013

The acclaimed director of Dormant Beauty, Fists in the Pocket, and Vincere discusses faith and the question of judgment in his work

Review: This Is The End

Review: This Is The End

By Max Kyburz
6.11.2013

It's a mad, mad, mad, mad end of the world

Review: In the Fog

Review: In the Fog

By Aaron Light
6.10.2013

The Nazi occupation tale reveals the lighter side of Belorussian director Sergei Loznitsa—relatively speaking

Review: Wish You Were Here

Review: Wish You Were Here

By Max Nelson
6.5.2013

Kieran Darcy-Smith's carefully calibrated debut about a friend gone missing is very accomplished, which might not be a good thing

Interview: Peter Strickland

Interview: Peter Strickland

By Violet Lucca
6.4.2013

Inside the world of Berberian Sound Studio with its film- and music-besotted director

Rep Diary: Robert Aldrich and Burt Lancaster

Rep Diary: Robert Aldrich and Burt Lancaster

By Nick Pinkerton
5.31.2013

Behind the über-masculine collaboration that spawned a ferocious history of the West in Apache, Vera Cruz, and Ulzana’s Raid

Cannes by Koehler: The Owners & Ate ver a luz

Cannes by Koehler: The Owners & Ate ver a luz

By Robert Koehler
5.31.2013

The politics of looking through the eyes of another, in this final dispatch

Review: Shadow Dancer

Review: Shadow Dancer

By Jared Eisenstat
5.30.2013

James Marsh’s restrained IRA thriller puts people above politics—even if its characters don’t

Festivals: Oberhausen

Festivals: Oberhausen

By Agnieszka Gratza
5.29.2013

Highlights from the 59th edition of the venerable short film festival

Review: Hannah Arendt

Review: Hannah Arendt

By Henry Giardina
5.28.2013

Margarethe von Trotta’s biographical film restages the question of moral—and critical—initiative

 
Review: 360

Review: 360

By Violet Lucca on 8.6.2012

Fernando Meirelles’s new film muses irrelevantly on this big crazy world of ours
Review: Total Recall

Review: Total Recall

By John Wildman on 8.3.2012

A greatest hits package of the past 20 years' science fiction and action flicks
↔ (Part Five)

↔ (Part Five)

By B. Kite on 8.2.2012

Transcending the transcendental approach to Bresson
Review: Dreams of a Life

Review: Dreams of a Life

By Sophie Blum on 8.2.2012

Unraveling the mystery of a woman whose death went undiscovered for three years
↔ (Part Four)

↔ (Part Four)

By Kent Jones on 8.1.2012

Wiazemsky, Godard, Apichatpong, and modernity
Festivals: Fantasia First Look

Festivals: Fantasia First Look

By Chris Chang on 8.1.2012

Paraphiliacs, unite: Montreal's got something for any possible perversion
Personal Repertory: DVD on Demand

Personal Repertory: DVD on Demand

By R. Emmet Sweeney on 7.31.2012

Build your own home movie series with studio rarities, burned to order
Time for More: The Clock Strikes Three

Time for More: The Clock Strikes Three

By Film Comment on 7.30.2012

A trio of reports on Marclay’s moving-image marathon
The Ephemeral Worlds of Claude Sautet

The Ephemeral Worlds of Claude Sautet

By Bertrand Tavernier on 7.30.2012

Tavernier recalls the unique talents of Claude Sautet
Review: The Light in Her Eyes

Review: The Light in Her Eyes

By Joumane Chahine on 7.27.2012

Julia Meltzer and Laura Nix’s documentary about a female Muslim preacher offers no straightforward heroes or villains

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