Blog 
Cannes by Koehler: Ilo Ilo, Bends, and The Lunchbox
By Robert Koehler
5.22.2013
Good old-fashioned sharp storytelling drive three films dramatizing the human cost of East Asia’s continued economic upheaval
Cannes Roundtable One: Amy Taubin, Gavin Smith, Kent Jones, Marco Grosoli
By Film Comment
5.21.2013
Le Joli Mai: FILM COMMENT editors and contributors gather to suss out the good, the bad, and the ugly of Cannes 2013
Cannes: Amy Taubin on Behind the Candelabra
By Amy Taubin
5.21.2013
Steven Soderbergh’s irresistibly entertaining Liberace biopic comes out on top at Cannes
Cannes by Koehler: Salvo
By Robert Koehler
5.16.2013
Live from the Croisette, it's Robert Koehler. First up: Sicilian gangster gumption, courtesy of Fabio Grassadonia and Antonio Piazza
Festivals: Tribeca
By Amy Taubin
5.13.2013
The 12th edition of the festival offered more than just Bub and Bobby brushing shoulders
Rep Diary: Maine-Océan
By Giovanni Marchini Camia
5.10.2013
Overlooked Nouvelle Vague director Jacques Rozier builds a Tower of Babel by the sea in this forgotten 1985 film
Critical Dialogue: Something in the Air
By Max Nelson
5.8.2013
The political is personal—even if you're sort of in it for the girls
Review: The Great Gatsby
By Violet Lucca
5.7.2013
Missing the punch—and point—of F. Scott Fitzgerald's classic
Interview: Jason Osder
By Nicolas Rapold
5.6.2013
The past in present tense: uncovering the devastating clash between a militant group and Philadelphia police
Review: What Maisie Knew
By Emma Myers
5.3.2013
An update of Henry James's What Maisie Knew walks the line between drama and black humor
Time Well Spent: Les Blank
By Justin Stewart on 4.8.2013
In honor of his passing, we repost this overview of Les Blank's collaborations and career, plus a short conversation with the filmmaker
Review: Trance
By Emma Myers on 4.5.2013
Danny Boyle's latest remixes mental states and dreamscapes with techno beats
Review: To the Wonder
By Max Nelson on 4.4.2013
What does Terrence Malick want from us? (And how is he asking us?)
Review: André Gregory: Before and After Dinner
By Henry Giardina on 4.3.2013
Cindy Kleine's new documentary is much more than a second helping of My Dinner With André
Interview: Lyubov Arkus
By Max Nelson on 4.1.2013
Critic turned caregiver turned filmmaker: the director of New Directors / New Films pick Anton's Right Here discusses finding new avenues to empathy with her autistic subject
Festivals: Cartagena
By Violet Lucca on 4.1.2013
Sea, sun, and cinema at the 53rd Festival Internacional de Cine de Cartagena de Indias (FICCI)
Review: The Host
By Max Nelson on 3.29.2013
The adaptation of Stephenie Meyer’s alien-invasion novel panders to anxious t(w)eens, but is that so wrong?
Rep Diary: Le Sang and Early Works
By Aaron Light on 3.28.2013
Film as a subversive art: an Amos Vogel-inspired double feature
