By Max Nelson6.18.2013
Is Sofia Coppola's latest a reflective meditation or a wealthy teenage wasteland?
By Jonathan Robbins6.17.2013
Drama on the high seas! But is it ship-shape?
By Max Nelson6.12.2013
The acclaimed director of Dormant Beauty, Fists in the Pocket, and Vincere discusses faith and the question of judgment in his work
By Max Kyburz6.11.2013
It's a mad, mad, mad, mad end of the world
By Aaron Light6.10.2013
The Nazi occupation tale reveals the lighter side of Belorussian director Sergei Loznitsa—relatively speaking
By Max Nelson6.5.2013
Kieran Darcy-Smith's carefully calibrated debut about a friend gone missing is very accomplished, which might not be a good thing
By Violet Lucca6.4.2013
Inside the world of Berberian Sound Studio with its film- and music-besotted director
By Nick Pinkerton5.31.2013
Behind the über-masculine collaboration that spawned a ferocious history of the West in Apache, Vera Cruz, and Ulzana’s Raid
By Robert Koehler5.31.2013
The politics of looking through the eyes of another, in this final dispatch
By Jared Eisenstat5.30.2013
James Marsh’s restrained IRA thriller puts people above politics—even if its characters don’t
By Agnieszka Gratza5.29.2013
Highlights from the 59th edition of the venerable short film festival
By Henry Giardina5.28.2013
Margarethe von Trotta’s biographical film restages the question of moral—and critical—initiative
1 2 3 > Last ›