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Founded in 1962 and originally released as a quarterly, Film Comment features reviews and analysis of mainstream, art-house, and avant-garde filmmaking from around the world.
Rogers and Autry, Philippine cinema, Douglas Sirk, Sadie Benning, Hayao Miyazaki, Bertrand Tavernier, Paul Verhoeven's Starship Troopers, Venice film festival
Louis Feuillade’s Les Vampires, Galway Film Fleadh, Steven Spielberg’s Saving Private Ryan, Stanley Kubrick’s Full Metal Jacket and Lolita, Godard in the Nineties, Todd Solondz
Frank Sinatra, Mary Astor, Theo Angelopoulos, Terry Gilliam’s Fear and Loathing in Las Vegas, Ingmar Bergman, Patrick Bachau, In the Presence of a Clown Face, Cannes coverage, Godzilla remake, Chinese Box, Day for Night, The Best American Movie Writing of 1998
Woody Allen, Martin Scorsese midsection, Scorsese on color film preservation, Alex van Warmerdam, Berlin Film Festival, Shane Meadows
John Grisham adaptations, Fireworks, Deconstructing Harry, Elmore Leonard, Amistad, Affliction, Guy Maddin, Denzel Washington, the Grosses Gloss, and Sundance coverage
Martin Scorsese interviewed, 1997 wrap-up, features on Edgar Kennedy, Atom Egoyan, Michael Winterbottom, tabloid documentaries, Titanic films, and coverage of the Pordenone Silent Film Festival
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